It was about an hour and a half to two hours to get it done and all the Assimilator bits to. For me that's a lot at the moment. Even when I've been my most productive I don't often sit and paint without a break for that long. If I do it's definitely broken up with many different things to paint. I would not be just doing endless bone. So in that respect I was quite proud of myself.
However, once again my brush control continues to disappoint. I've said many times I love to see brush strokes, I like to see someone has painted something. Obviously 'Eavy Metal and Golden Demon entries deserve the respect for their quality and execution. But I appreciate much more something that you can see has been executed to look painterly. As I know I can achieve that too, it helps, but that requires a level of brush control - so that when you're marking a mark, that mark is there because you decided to make it that way, rather than that's the only way you were capable of making it.
And that's why I feel a bit disheartened with many of the strokes on the tail in particular. This the best control I could muster and it is not the standard I aspire to but also thought I'd be capable of after decades of painting. My progress hasn't even stalled it has regressed! So, this is somewhat disappointing but I am trying to reframe that feeling that only way you are capable of making brush mark is a bad thing. Accepting what I can and can't do is an achievement in itself and 'finished not perfect' has been my mantra for quite a while. Not perfect could mean 'even less perfect' for me now. But I get ahead of myself, it's far from finished and there is still paint to come that will draw attention from some minor wobbly lines. I've experienced a lot of emotions and self-reflection in this one process. It may not be the function of #DreadTober but there has been growth for me, even if it has been hard to face it.
Meanwhile, I got to slap on some yellow. Rather than go with my Gamboge Art Acrylic, I started with Instar IV-16 yellow [armoured Sentinel]. It's what I did with the original Sentinels and I wanted to attempt consistency.
However, they did have a tint layer of Gamboge on top, but I tested Citadel Iyanden Yellow contrast and it achieve the same effect. It's used on the one on the left.
Again, there is more to do to tone things down and add more weathering and rust so they will look very different when finished.
I love these old sculpts. Sure the new Sentinels are pretty cool but there's something so basic about them, like the original Willy's Jeep. Whereas now they're 'overengineered' if grudgingly more functional.
Anyway, here's one next to an original and yes there's a bit more orange on it but that should tone down a bit as we go on. If not... screw consistency! 🤣
I've done a bit more on all of these since these pictures, maybe get them up early next week. But I actually did some Leviathan bits and pieces too, as well as a few Genestealers to potentially add to my Ceraatus bases. Progress is progress!
That little cultist driver is awesome!! He reminds me of the rebel pilots in Star Wars. Growth is certainly a function of DreadTober; "everything is Kung Fu".
ReplyDeleteI haven't even shared the other pilot, I'll have to take pics of him next.
Delete"Everything is Kung Fu"... except the Karate Kid remake, that's karate, apparently! 🤣🥋
I also like to see a painted texture – something I have always liked about your Tyranids. I find that brush control is very much a practice thing – even one week away from painting and it takes me some time to get back into it.
ReplyDeleteThanks for the kind words, although I think my issues are numerous. Mostly my own but at the moment with the turquoise I think the choice of paint isn't helping, but its the colour I use. As a cheap craft acrylic it's dries quite quickly, meaning it becomes quite gloopy. Unfortunately thinning it down with water makes it flow too much. I end up with big globs of opaque thick paint on my brush while the watered paint soaks in the bristles and travels up to the ferule.
DeleteThrow in struggling to hold such a large model and trying to find the right angle to hold the brush while getting into all the nooks and crannies this has become much more challenging than I expected. The turquoise in particular is filling me with dread for the remaining Leviathan models I really want to paint this season. We'll just have to see how I feel after DreadTober.
Well, all challenges aside, the model is coming out quite well!
ReplyDeleteCheers, I'm not entirely sure if I'll get it finished this month but I will try my hardest, which may be my biggest satisfaction from it.
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